Showing posts with label middle ages. Show all posts
Showing posts with label middle ages. Show all posts

Sunday, May 10, 2015

A List of the Best Medieval movies....do you agree?


I found this list of the Best Medieval Movies, you can actually go to the site and up or down vote them.  I loved tons of these movies and if you are looking for a good list to have a Medieval Movie power watching session here is a good list.  One tip if you have never seen Flesh & Blood with Rutger Hauer you have to watch it, excellent.  If there any good movies not on the list you suggest please put it in comments.

The Best Medieval Movies

Friday, May 8, 2015

Truth versus fiction on Medieval weapons and armor

- The issue of weight seems to be one of the most commonly mistaken aspects of medieval combat. Smiths all made swords slightly differently and each fighter had his own preferences. It is impossible to generalize when it comes to the technology of an entire continent from c/ 500-1500 AD, and both very heavy and very light swords existed. In terms of what was typical, though,, here’s a rough guide to averaged:
Single-handed sword (aka sword) -  2.5 pounds
Hand-and-a-half (aka bastard sword) 2.5-3 lbs
Two-hander (aka longsword) - 3 to 3.5 pounds.
The absolute largest swords still rarely hit the 5-pound mark. These were designed to serve very specific tactical functions on the battlefield and were not intended for general-use purposes. Experience showed smiths and warriors that this was the ideal weight range for their weapon. It’s essentially natural selection at work: people whose swords were too light or too heavy went off to battle and didn’t come back. Those with properly weighted swords did. Any heavier and it becomes unwieldy. Any lighter and it lacks the momentum to hit with sufficient force.
Conversely, most Japanese Swords weighed slightly more than European swords relative to their length. Once again, though, keep in mind that this is not a bad thing, nor does it imply that they were slow or relied on brute strength over skill. Quite the opposite, in fact, as the sword's weight gives the fighter the power he needs so he can devote his muscle to technique. Light swords are not very effective when it comes to penetrating any armor, be it plate, chain, or leather. (Fencing foils and other ultralight weapons only came about after gunpowder caused armor to die out, and the heavier two-handers hit their prime when armor was at its fullest.)
In practice, the weight variation is not significant enough that it would make a noticeable difference in combat, but it is there. The Japanese smith would face the exact same system of natural selection as the European one, but due to different environmental conditions the result came out slightly different.

Heavy and cumbersome armor
- A full suit of high quality plate armor weighed on average 55-65lbs. Though there was variation based on the technology available from one century to another or according to one's financial means, this remains a decent rule of thumb from the legionnaires of ancient Rome to knights in full plate to modern Marines. The logic is the same as it was for determining the weight of a sword: You want as much protection as you can possibly afford without it becoming unwieldy. For a well-trained, fit man this limit is around 60 lbs.
There are records in the Middle Ages of people in full plate (i.e. 1350 and later) being able to climb ropes, roll, cartwheel, and even jump onto their horses without using the stirrup. Modern tests confirm these reports.
There are stories about knights needing cranes to get on their horse, or needing squires to help them if the fall on their back. Neither of these stories have any real historical basis. If armor were such a liability, nobody would have worn it, let alone spend a fortune on it. The very fact that it exists in number and for such a long time is proof enough that it is better than going unprotected.

Fighters with swords on their backs
-It is physically impossible for a human to draw a straight, average-length sword from their back while in its sheath. A sword worn on the back is usually curved or short. Cases of back-sheaths were virtually unheard of in Europe and rare elsewhere. (In those cases, the swords were very short. A Roman Gladius or modern machete would still be too long to draw with any degree of comfort.) A fighter might plausible wear a sword in this manner if he had absolutely no intention of fighting any time soon, since it is arguably easier to move around and sit down without it getting in the way.

Archers with quivers on their backs
-This is almost the same as the previous misconception, but it is even more common to hear about. Arrows can be gripped in the middle and are thus possible to draw, but the motion is much more slow and awkward than a draw from the hip, or even better, by sticking the arrows into the ground ahead of time. That being said, images of quivers are still extremely rare in medieval artwork and were simply not used in combat situations in Medieval Europe. Speaking of archers…

Fast and slim medieval archers
- A quality longbow back in the middle ages was made of yew or ash, and needed to have an effective range of up to 300 yards and enough power to penetrate mail. A bow that meets these requirements is going to have a draw weight of somewhere between 120 - 180 pounds. That's like lifting a grown man with three fingers. If anything, an archer was likely to be bigger and stronger than the frontline soldiers. Excavations reveal that the skeletons of medieval archers were permanently warped from the strain of such repeated and imbalanced muscle stress. They did not wear much armor only because archers were never nobility, and therefore couldn't afford any.

Shiny, battle-ready swords
- No matter how well polished, high-carbon steel (the metal swords were made of) just isn’t all that shiny. A common metal for modern decorative swords is stainless steel, which is conveniently rust resistant as well as attractively bright. It is also very hard. Which seems like a good thing, until your realize that so is glass. A real medieval sword has to be able to bend slightly in order to help absorb shock, and a sword that is too hard will be rigid and more prone to snap or shatter. A harder sword can keep a nice straight cutting line and hold an extra sharp edge better, but it also runs the risks mentioned above. The Japanese sword was developed in a less armor-intensive environment, so they can afford to place less emphasis on durability in favor of a keener edge. Often, Japanese swordsmanship techniques involve "using the opponent's energy against them." This is partially because it is an effective technique, but it is also to protect the weapon from taking too many direct hits.

Tribute to the wonderful artwork of Edmund Leighton




This is a tribute to the Amazing work of Edmund Blair Leighton.  The pictures are amazing I could just look at these pictures for hours you really feel like you are there! If you look at each picture try to look at all the details even in the background.

Edmund Blair Leighton (21 September 1852 – 1 September 1922) was an English painter of historical genre scenes, specializing in Regency and medieval subjects.





God Speed is a painting by British artist Edmund Leighton, depicting an armored knight departing to war and leaving his beloved. The woman ties a red sash around the knight's arm, which he is meant to return, a medieval custom which assured both parties that they would be reunited, alive and well.[1] Agriffin on the banister of the stairs is a symbol of strength and military courage.[1] The knight departs through a castle gate with portcullis. The painting was exhibited in the Royal Academy of Arts in 1900.[2]


God Speed was the first of several paintings by Leighton in the 1900s on the subject of chivalry, the others being 

The Accolade (1901) 







Tristan and Isolde (1902)




Sunday, May 3, 2015

How did the Medieval peasant really live??



The stereotype of the medieval peasant is a toothless, filthy, ignorant wretch. Or were they? Terry Jones discovers that peasants were in fact literate, emancipated, highly political and legally savvy, house proud and healthy, and responsible for the peasants revolt of 1381.

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This is a great video that teaches you about what it may have been like in Medieval England up to the great Peasant Revolt.  It is quite entertaining and not boring at all.  A lot of what you may have pictured in your head about peasants may change, this is worth the watch.

Got Kids? Get Medieval

Sharing some great info to keep the spark of learning alive with some great books for kids to learn about Medieval life.  Sharing from Medievalist.net which is a totally great site!

Got Kids? Get Medieval

kids medieval books
By Danièle Cybulskie
Once upon a time, I had a discussion with some medievalists about what it was initially that brought us to study the field. For me, it was childhood exposure to things like the fourteenth-century style of art in Disney’s Sleeping Beauty, the stories of Robin Hood, and the legends of King Arthur. I think that looking at history and old stories as a child stirs an early curiosity and kinship with the people who lived before us. If you have kids or know kids who you’d like to expose to the Middle Ages, here are a few books you might like to explore over the summer holiday.
castle how it worksCastle: How It Works by David MacCaulay (with Sheila Keenan)
This is a non-fiction book for kids who can manage reading short paragraphs, but it can easily be read to smaller kids, provided they can handle the idea of violence (injured people, no blood). I like this one because it talks about the ways in which castles were built (and used) for defence, while also showing you how everyday people would have lived in them. Littler kids will love the fact that there is a garderobe, a mention of using hay for toilet paper, and a page with dead pigs being catapulted over the walls with the words, “Pigs away!”
Explore Within a Medieval Castle by Justine Ciovacco and Ryan Hobson
This book is a bit harder to find, but I mention it because it’s for the tactile learner (as so few books are!). Every page is a layer of the castle with information surrounding it, so that turning pages pulls off layers until you’ve got a full cross-section of the castle. Naturally, things are a bit more compressed than they would be in a real castle, but it’s a great introduction for kids who learn better with interactive, physical objects.
Medieval LifeMedieval Life by Andrew Langley
One thing I love about DK kids’ books is that they have amazing pictures. While this book is aimed at kids around eleven or twelve and up, I bought it for myself because the pictures are so stunning! Almost every aspect of medieval life is examined with accompanying pictures of clothes, food, objects, and architecture. It also comes with a CD of clip art and a poster. Who could ask for anything more?
This is a book for early teens to adults, and it does just what it says: explains how to be a fourteenth-century knight. It’s very detailed, but not stuffy, and Prestwich has picked and chosen information from a variety of sources to make this enjoyable, entertaining, and enlightening. His method of speaking directly to the reader will help engage teen readers who may be interested in history, but wary of academia. (It’s also a fun way for adults to learn more about knighthood!)

Saturday, May 2, 2015

It must be Saturday!!!! Medieval style

http://commons.wikimedia.org/wiki/File:Joris_Hoefnagel_Fete_at_Bermondsey_c_1569.png

A big day out everyone is dressed in their finest garb






Do not let your ears show!


It is good to be king!


A little after dinner entertainment with punch and Judi


Watch out you will poke your eye out kid!


Ok time for Dessert after all that fun!





Entertainment in the middle ages





******    Entertainment in the Middle Ages  Click this link for source ******

Life in the middle ages was not all hard work! Even the loneliest or poorest peasant could take part in church festivals, join a marriage or funeral procession, or watch and listen to travelling poets, musicians, acrobats and dancers. Perhaps the village would be visited by a troupe leading a performing bear or dancing monkey. We would consider this sort of "entertainment" as cruel nowadays but in the middle ages it was quality entertainment.
Fun and games were often centred around particular times of year. At christmas, groups of villagers would dress up as "mummers" and visit the lord's home. There they would sing and perform some sketches in return for special christmas food and perhaps some money. On May day, young men and girls would get up early in the morning and play games in the bright spring sunlight, before gathering green branches to decorate their homes.



There were other festivals related to the seasons and to the agricultural year. Many of these had survived from pre-Christian times and were frowned on by the church, which was however powerless to stop them. At Midsummer for instance the villagers would light bonfires and hold various sports and games. People thought that by lighting a fire when the sun was at it's strongest, they would make sure it returned to ripen their crops the following year.
The Church also frowned upon the medieval tournament as they felt too much blood was spilled during the action this type of contest though proved highly popular with the people of the middle ages. The tournament probably started life as training for the knights in preparation for war but they soon became a great source of entertainment. Defeated knights had to give up their horse and their armour so a good fighter could make a fortune at the tournament. At first battle armour and sharp weapons were used but in the 13th century blunt weapons were introduced. Other contests such as jousts and archery were added later. In the pas d'armes, popular in the 15th century, one or more contestants held the tournament ground and sent challenges to other knights and squires. In the 17th century the tournament was replaced in most countries with displays of horsemanship called carousels.